The emergence of these captivating soundscapes serves as the harmonious extension of acoustic instruments, propelling us towards the creation of a mesmerizing "hybrid sonic twin". This collision can be considered the pivotal moment of reimagining "complexity", whether it be in the realm of sound or as an immersive performance experience.
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Ex-Sentia Volume II METABIOME
in dysto (2023)
for amplified trio: saxophones (soprano & baritone), percussion, piano - and midi keyboard - and diffused electronics
Gradients | Ensemble Quarks
MUSIK21 IM NDR
September 28, 2023
Der Kleine Sendesaal im NDR Landesfunkhaus
Stylianos Dimou
machine learning (2018)
for baritone saxophone and electronics
Entullos/ Debris project
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for tape
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March 23rd, 2022
Planetario.casa De Las Ciencias
Parqu Santa Margarita A Coruña
Arditti Quartet - SWR2 JETZTMUSIK • Herrenhaus Edenkoben
October 19, at 13:06 p.m
Graz und Griechenland
Schallfeld Ensemble
Leonhard Garms, Dirigent
Wiener Konzerthaus, Berio-Saal
Friday, April 22, 2022 • 7:30 PM
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for amplified ensemble and diffused, synthesized sounds
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for ensemble and electronics
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for ensemble
Kompositionsauftrag von Schallfeld und Wiener Konzerthaus -
for ensemble
Kompositionsauftrag von Schallfeld und Wiener Konzerthaus -
for ensemble
en tranche (2020)
for string quartet
Arditti Quartet
August 19th, 2021
Protestantische Kirche Edenkoben
Edenkoben - Germany
"au sujet de fusion: la genèse d’un(e) . . ."
(2019-20)
Proxima Centauri ensemble
Improtech Paris - Αθηνα 2019 (ikPA'19)
Workshop - Festival, September 26th - 29th, 2019
IRCAM, Onassis STEGI, the University of Athens
“Voyager: Interactive Quintet” (2007/2019)
George Lewis (trombone), Evan Parker (saxophone), Mari Kimura (violin), Stylianos Dimou (live electronics), and the Voyager interactive pianist.
A few words about Stylianos
Stylianos Dimou is a Greek composer of acoustic, electroacoustic and acousmatic music, as well as a conductor and performer. Recipient of numerous awards and distinctions, Dimou’s endeavours have been supported by numerous International Organizations among others, the Fulbright Foundation (USA), Alexander S. Onassis Public Benefit Foundation, Stavros Niarchos Foundation Public Humanities Initiative, Columbia University, Cite Internationale des in Paris, the Trägerverein Herrenhaus Edenkoben, etc.
As a composer of acoustic and electroacoustic music, at the forefront of his research area is the topic of vibrant complexity and live interactivity utilizing technologies aimed at the ultimate blending among instrumental and electroacoustic entities. He is working towards artistic- technological frameworks where the technology is as equally involved as the human beings in the realization and final execution of a musical piece of art. His most recent projects explore aspects of organic, pitch intricacies in relationship with the evolution and the eventual exhaustion of repetitive mechanic rhythmicity.